我用夏天比拟你

   量子资源网 提供本片资源  　　A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and oems and live on beyond their inevitable endings, as Shakeseare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a olyamorous chorus of lovers, and this oft-told tale is multilied. In Club Scheherazade, there is no rotagonist, and every song has various versions. Heteronormative dramaturgy is challenged olyhonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and ast dates. Po clichés are twisted, heartache ermeates the men’s singing, and oems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a hay ending as her characters exit the story. “If ain could be forgotten through words,” we hear at one oint, “no lover would ever have to walk away wounded.”