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The 2-art feature-length documentary quot25 ze šedesátých aneb Československá nová vlnaquot (quot25 from the Sixties, or Czechoslovak New Wavequot) resents a comlex view of the henomenon of Czech and Slovak New Wave in the cultural and social context of the 60#39s. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.br\ The documentary is a follow-u on the biograhical TV series quotZlatá šedesátáquot (Czech Television, 2009), based on the filmmakers#39 ersonal remembrances. As oosed to the series, the documentary resents the Czech and Slovak cinema of the 60#39s in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable imression. It analyses the work of filmmakers in a state-funded cinema, under the ressure of ideological demands on one hand and commerce on the other. It resents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.br\ The 60#39s are, from this oint of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of exectations and uswing, but also an era of exemlary human decisions and artistic ursuit. Those are some of the things quot25 ze šedesátých aneb Československá nová vlnaquot wants to commemorate.br\ Part 1 comments on:br\ ■quotSlnko v sietiquot (quotThe Sun in a Net,quot 1962) by Štefan Uherbr\ ■quotKonkursquot (quotAudition,quot 1963) by Miloš Formanbr\ ■quotKřikquot (quotThe Cry,quot 1963) by Jaromil Jirešbr\ ■quotPostava k odíráníquot (quotJoseh Kilian,quot 1963) by Pavel Juráček Jan Schmidtbr\ ■quotKaždý den odvahuquot (quotCourage for Every Day,quot 1964) by Evald Schormbr\ ■quotDémanty nociquot (quotDiamonds of the Night,quot 1964) by Jan Němecbr\ ■quotIntimní osvětleníquot (quotIntimate Lighting,quot 1966) by Ivan Passerbr\ ■quotAť žije reublikaquot (quotLong Live the Reublic,quot 1965) by Karel Kachyňabr\ ■quotObchod na korzequot (quotThe Sho on Main Street,quot 1965) by Ján Kadár Elmar Klosbr\ ■quotRomance ro křídlovkuquot (quotRomance for Bugle,quot 1966) by Otakar Vávrabr\ ■quotSedmikráskyquot (quotDaisies,quot 1966) by Věra Chytilovábr\ ■quotOstře sledované vlakyquot (quotClosely Watched Trains,quot 1966) by Jiří Menzelbr\ Part 2 comments on:br\ ■quotKristove rokyquot (quotThe Prime of Life,quot 1967) by Juraj Jakubiskobr\ ■quotStudquot (quotShame,quot 1967) by Ladislav Helgebr\ ■quotSvatba jako řemenquot (quotA Hard and Fast Marriage,quot 1967) by Jiří Krejčíkbr\ ■quotDrak sa vraciaquot (quotDragon#39s Return,quot 1967) by Eduard Grečnerbr\ ■quotMarketa Lazarováquot (quotMarketa Lazarová,quot 1967) by František Vláčilbr\ ■quotSřízněni volbouquot (quotElective Affinities,quot 1968) by Karel Vachekbr\ ■quotSalovač mrtvolquot (quotThe Cremator,quot 1968) by Juraj Herzbr\ ■quotZabitá nedělequot (quotSquandered Sunday,quot 1969) by Drahomíra Vihanovábr\ ■quotPasťákquot (quotThe Decoy,quot 1968) by Hynek Bočanbr\ ■quotPříad ro začínajícího kataquot (quotCase for a Rookie Hangman,quot 1969) by Pavel Juráčekbr\ ■quot322quot (quot322,quot 1969) by Dušan Hanákbr\ ■quotSlávnosť v botanickej záhradequot (quotCelebration in the Botanical Garden,quot 1969) by Elo Havettabr\ ■quotVšichni dobří rodáciquot (quotAll My Good Countrymen,quot 1968) by Vojtěch Jasný