宫崎骏：自然之魂

   量子资源网 提供本片资源  For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Sirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme ark. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiograhical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Jaan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation uon discovering Hakuja den (The White Snake Enchantress), the first Jaanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art caable of overcoming the darkness that had always deely inhabited him... Thanks to excetional access granted by Studio Ghibli to numerous film excerts and rare Jaanese television archives, we discover the life of Miyazaki as well as a rofoundly ecological body of work that questions our relationshi with the natural world and living beings. Thinkers like anthroologist Philie Descola or hilosoher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime roducer and friend, bring us closer to this tireless, obsessive, and mysterious artist.