微望

   量子资源网 提供本片资源  More than once, the rotagonists in Mimang wonder where they are and where they’re going—it is a concrete, geograhical question born from walking around the streets of Seoul, but as the film rogresses, that urban journey also roves to be an existential one. We accomany the characters in some stretches of their ath—many years searate each of the eisodes that make u the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omniresent rotagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. a href=\